Angel Olsen On Being Her Own ‘Woman’ On Her New Album
The artist has come into her own
Photographed by MichaelBeckert. Styled by Liz Rundbaken.
The following feature appears in the September 2016 issue of NYLON.
Angel Olsen has the power. Of course, she’s always had it, but with the release of My Woman, she doesn’t really care about how you perceive that power. “People think they know you entirely based on the work that you project, famous or not famous,” says Olsen over lemonades in a Brooklyn tea shop. “But you still have to be a person, and wake up and go through human struggles while everybody is thinking of you as not a human who goes through those things. You’re living the life of the self that you project, in the life of your actual self.”
Olsen is disarming in person—a celebrity with the air of a perceptive, considerate, and passionate friend, discussing the difficulties of being a working woman in her late twenties, and defying the limiting expectations of the public. My Woman, her third studio album and the follow-up to 2014’s Burn Your Fire for No Witness, is demonstrative of her ability to disregard these constraints and portrays the broad spectrum of Olsen’s musical talent, which ranges from her signature folk, steeped in her superior songwriting chops, to synthy glam rock.
After the success of her last record brought Olsen to the stages of late-night television and into the hearts of an ever-growing fan base, the repetitiveness of fame and the unavoidable typecasting as a female folk singer led her to question where her hard work had landed her. “It went from the positive inertia of creating something alone in a room that no one cared about to a commercial image that you’re just living over and over again,” she says. “Despite the fact that I was doing well, and the album was doing well, I wasn’t doing well.” Naturally, her admirers viewed her through the self-absorbed lens of fandom, oblivious to the fact that even celebrities need repose. “People come up to me and they’re like, ‘You saved my life.’ Even though it’s amazing to hear that, when people compliment you in that heavy way, there is some sort of expectation. They want something back,” says Olsen. “I feel very fortunate to have fans that would say that to me, but when was somebody gonna pull me aside and be like, ‘Are you okay?’ No one was doing that.” She sips her lemonade and continues: “So I went to therapy, took a break. I just didn’t want to tour as much. I was like, ‘I don’t know if I want to do this. Maybe I should reconsider my plan.’”
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Dress by Simone Rocha, dress worn underneath by Valentino, Olsen’s own jewelry worn throughout.