Approximately 20 people will be ushered into New York’s Knockdown Center every 20 minutes within seven groups starting at 8:30pm. Before purchasing tickets for the show, Mirabile and Kinlaw request that everyone take a Personality of Endurance Quiz. The test has two functions, which Mirabile explained in detail:
When you take the test, it asks you these questions that cause you to think about how authority and obedience are a part of your life. So the performance has already begun, essentially. The second function is to actually determine what your endurance levels are like, and this is because it’s a changed format. The people who are entering at 8:30 are actually going to be in there the longest, which is good for some people and it’s not for others. I don’t really care if it’s good for some people and not for others, but I’d rather people who are less apt to want to deal with something for very long to be in there longer so that they gain a constant renewal of perspective on what’s going on and the authority within the piece. That’s where the social experiment comes in. That’s the experimentation side of it.
Polachek mentioned that she was really drawn in by the fact that the project is undocumentable. “You can’t take a picture of it or take a video of it or record it and put it online in a way that captures it at all,” she said. “I think this is a really important time for this medium to end up in the underground. I’m very honored to be a part of it.”
The music that Polachek arranged for this performance comes from material that she created for her Ramona Lisa project. She describes it as minimal meditation music with the intention to “elicit a very physical reaction in people” beyond the element of dance. “I honestly couldn’t invent a more perfect place for these to end up,” she added.
GIF by Signe Pierce
“I feel like explicitly mentioning that this is not about criticizing authority,” said Polachek. “It’s about captivating the ways in which authority and obedience end up in lots of parts of our lives.”
Mirabile is fully aware of the stigma against political art as it is often viewed as something inaccessible and unrealistic because “it doesn’t give change justice on a tangible level.” With “Authority Figure,” she expressed that she’s not trying to change the world—she’s engaging in a conversation about its problems in a visual format. One thing in particular that Mirabile highlighted about the quiz is the fact that people will be informed about the ACLU app which can be used to record police conduct, specifically incidents of stop and frisk. On the purpose of this performance, Polachek said that it’s more about “trying to point out threads that run through the fabric of our lives.”
“Performance is what we do. Choreography is about mobilizing and motivating the body to be physical and to be aware of what it’s doing. This performance is dealing with this psychology of our agency, and how we gain and maintain agency,” Mirabile explains. “There’s that term, ‘performance is political.’ It starts with psychology, and through working with all these people, it is creating some kind of social psychology that does mobilize people.”
GIF by Signe Pierce
Kinlaw also shared a similar sentiment about the performance. “When you look into concepts like obedience and authority, it’s clear early on that dynamics are complicated, multitiered, and often very personal,” she said. “While immersive performance is a medium we both work in, ‘Authority Figure’ embraces specific psychological avenues of feeling without trying to force a specific thought process or agenda onto the audience. As a participant, you’re given both direction and opportunity for free choice, all of which will determine your specific experience.”
“There’s a helplessness that comes with living in a rigid system that often disregards personal, intrinsic needs. I feel caught up in this at times,” she added. “There’s also the issue of voice—when to speak out, and how?”
Kinlaw and Mirabile further explained how authority applies to relationships, which they agreed are complex in their own ways. “I consistently waver how much of my personal development and agenda I’m willing to sacrifice in order to maintain balance within relationships that are most important to me, namely for family, friends, and intimate relationships,” said Kinlaw. It’s a give-and-take process, which Mirabile said involves having to compromise sometimes by stepping down and obeying for an extent.
GIF by Signe Pierce
Kinlaw said that it has been incredible to watch their idea grow into “such an expansive and encompassing project.” Mirabile wants this experience to make people realize that performance art and choreography have the potential make a positive impact on the human psyche on a therapeutical level, and to challenge the way that people think on a political level.
“The hope is that people respond by thinking about ways that they engage in obedience and authoritative structures, and how we can use our awareness of these things to create a better situation for everybody,” said Mirabile. “I want people to gain agency in this, and how if there was a situation where you were an authoritative figure you would take that and make something positive with it? Rather than abusing power, how do you take power and make it a good thing?”
“We want people to feel. We want people to synthesize these feelings in relation to their own personal sense of agency and action,” added Kinlaw.
GIF by Signe Pierce
Ultimately, the goal is to remind people that we are all suffering as we deal with the turmoils that are handed to us. By raising awareness about power complexes, the hope is for people to be in better situations. “That’s the way of art,” said Mirabile. “It is beautiful and it’s intense and it’s incredible.”
“Authority Figure” runs from May 20 to 22 at Knockdown Center in Brooklyn, New York. Tickets can be purchased here
, but it is highly recommended to take the Personality of Endurance Quiz
prior. Donate to the “Authority Figure” Kickstarter campaign here